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By Dr. Nguyen Van Nghi, Dr. Christine Recours Nguyen, Dr. Tran Viet Dzung

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Extra resources for Art et pratique de l’acupuncture et de la moxibustion

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Apres I'heure. Wou» (11 h·13 h), iI faut aussi distinguer Ie froid de la chaleur: orienter Ie pouee a droite pour lonilier, a gauche pour disperser. L'elat favorable est a gauche, "mat contraire est a droite. Tel est Ie secret sublime des savants d'autrefois. Celie technique a me resumee sous forme de chant: • Chaque jour. a partir de /'heure Wou, /a surface culanee est 76 ART ET PRA TlQUE DE L 'ACUPUNCTURE chaude comme des bru/ures • ; II faut bien distinguer Ie vide de la plenitude pour prooeder a la tonilication ou a la dispersion.

Pour tonifier, i1 faut retirer I'aiguille, puis ob/urer Ie point d'impact. tonification _. 7 - Frottement C' est exercer une pression a~compagnee de mouvement sur Ie point ART ET PRATIQUE DE L'ACUPUNCTURE 80 d'impact en vue de disseminer Ie sang et I'energie. C' est pourquoi, Ie Nei King disait: • Pour disperser, on n'obstrue pas Ie point d'impact apres I'ablation de I'aiguille '. Agir ainsi, c· est pratiquer une t: puncture· dispersion _. SELON ZHEN JIU DA CHENG 81 Ie Clel utilise Ie chilfre 9 pour denommer sa transformation.

ENONCE 82 CHIFFRES DE PRODUCTION/TRANSFORMATION Le Nei King precise : • - Le Ciel prend Ie chiffre 1 pour designer la production de l'Eau ; la Terre utilise Ie chiffre 6 pour denommer sa transformation. · La Terre prend Ie chiffre 2 pour designer la production du Feu; Ie Clel utilise Ie chiffre 7 pour denommer sa transformation. - Le Ciel prend Ie chiffre 3 pour designer la production du Bois; la Terre utilise Ie chiffre 8 pour denommer sa transformation. - La Terre prend Ie chiffre 4 pour designer la production du Metal; II.

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