Aesthetics

Andrew Benjamin's Architectural philosophy PDF

By Andrew Benjamin

Architectural Philosophy is the 1st booklet to stipulate a philosophical account of structure and to set up the singularity of architectural perform and concept. This unbelievable series of essays opens out the topic of structure, concerning concerns as huge ranging because the challenge of reminiscence and the dystopias of technological know-how fiction. Arguing for the indissolubility of shape and serve as, Architectural Philosophy explores either the definition of the positioning and the opportunity of alterity. The research of the character of the current and the advanced sructure of repetition permits the opportunity of judgement, a judgement that arises from a remodeled politics of structure.

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While in the second, it introduces an ordering process that is generative of form but which cannot be reduced to the simple material presence of a given aspect of architectural work. While it involves straying from Eisenman's proper concerns it will be argued at a later stage that this second element introduces into the material presence of architecture what could be best described as an immaterial force. The immaterial has to be construed in terms of a productive negativity. 4 Opening what in his letter to Derrida he refers to as the 'strong bond' between form and function allows for 'presentness'.

What is being staged here concerns far more than two different senses of dictionary, that limitation has already been rendered problematic by the nature of the distinction already posed between meaning and work. What then does this distinction bring with it? Answering this question is not mere exegesis. It involves working with, by having accepted the primacy of, the text's materiality. What then of the contrast between meaning and work? In the context of the entry 'Informe' the distinction is developed in the next line of the text in terms of a distinction between the 'informe' understood as an adjective, and 'informe' as workful.

And yet, in the second place, the neutrality - real or not - of such a set up could also mean that the delay in installing programmatic concerns would merely result in the subsequent reinscription of those programme's most traditional determinations. It is precisely this latter possibility - the threat of its realization - that drives the interconnection between function and form in Eisenman's work. Refusing programmatic considerations has a direct consequence. The refusal entails identifying the domain of innovation as the production of form; form as independent of functional concerns.

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