By Ermanno Bencivenga
In his most up-to-date booklet, Ermanno Bencivenga deals a stylistically and conceptually fascinating research of the character of language, brain, and personhood and the various methods the 3 attach. Bencivenga, probably the most iconoclastic voices to emerge in modern American philosophy, contests the fundamental assumptions of analytic (and additionally, to an quantity, postmodern) ways to those subject matters. His exploration leads via interesting discussions of schooling, braveness, discomfort, time and background, selfhood, subjectivity and objectivity, truth, proof, the empirical, energy and transgression, silence, privateness and exposure, and play--all issues which are proven to be critical to our brooding about language. Relentessly bending the principles, Bencivenga frustrates our expectancies of a "proper" concept of language. He invokes the transgressions of Nietzsche and Wittgenstein at the same time he appropriates the aphoristic variety of Wittgenstein's Tractatus. Written in a philosophically playful and experimental mode, A idea of Language and brain attracts the reader right into a experience of continuous shock, healing pain, and discovery.
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Extra resources for A theory of language and mind
414This politics justifies our tone. ) in which "postmodernism" and multiplicity (allegedly) rule, so there will have to be places below where a different tune is sung. It doesn't take long for onetime revolutionaries to become tyrants (as they continue to use the words that got them there in the first placeand have now been taken for a ride); so we must be on our toes. You never win the battle for freedom, though you can certainly lose it, especially when it looks (to you? remember: there are a lot of frauds out there, a lot of wanting certain things to failthat is, acting that waywhile unctuously displaying the best "intentions") like you won.
Appropriated by anyone and turned to "unintended," even inimical purposes. (There will be those who say that Mozart "ought not" to be used to sell insurance or low-sodium crackers. They will say it with an anxious tone, in the name of the "integrity" of the work of artor, seriously now, of their own integrity, which they feel to be threatened by this bad example of seepage. )  2 Patterns may become entrenched. 1 Some patterns are in fact repeated (the same pattern, which, we know, can occur again, does).
Doesn't it tell you that they are born out of anger, that their "discourse" comes mixed with choleric spit? It does not, you say? That has nothing to do with what the ideas are, but rather with how they are presented, you say? Nice try, partner. 5According to what the narrative says of language, mind, and narratives, the self-description provided above is delusive: the point of a narrative, more or less well concealed under its pretense of comprehension, is one of forcing the existing structure (not reflecting itor maybe reflecting it in a distorted mirror as one major way of forcing it) in previously unanticipated directions (which, because they are previously unanticipated, may need to be anticipated).